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Fellatio is not announced the water pressure of her vagina remains a mystery none of the new songs provide the kind of material worth pulling out one lucky concertgoer to straddle.
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That said, in terms of subject matter and themes, much of Unbreakable reminds me of the music Janet offered in the 1980s in that it shies away from the overtly sexual material she became known for later in her career. It’s hard to compete with yourself, especially when you’re as successful a hit-maker as Janet Jackson has been. No, but Unbreakable does fit quite nicely in between Damita Jo and All for You, two very good albums that serve as bonuses to an already expansive catalog. It does not top the four fantastic albums she released one after another: Control, Rhythm Nation 1814, janet., and The Velvet Rope respectively. How much that means to you depends on how strict of a Janet fan you are. One can confidentially say that this is Janet’s best, most cohesive body of work since 2004 ’s Damita Jo, an underappreciated gem overshadowed by the scandal surrounding her Super Bowl Halftime performance. With that in mind, the anticipation has given way to the ultimate test: Is Unbreakable actually any good? While there was somewhat of a brouhaha surrounding my claims of Janet’s best student among the crowded crop of new singers, I made it very clear that there will never, ever be another.
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Speaking of, for those of you who have either seen Janet on tour, or, in my case, cheated and hunted down clips online as I await my respective tour stop, it is very much clear that the 49-year-old legend can still out dance the majority of her peers. The third preview of the album, “BURNITUP!” featuring Missy Elliott, just makes you happy to hear Janet’s voice-with the just as musically missed Missy Elliott, no less-on an uptempo track. The title track successfully conveys the overall theme of the album and Janet’s state of mind-self-assured, truly ready to sing again, and very much in love. era while its J.Cole-featuring remix manages to add a hip-hop twist without it feeling forced, or worse, futile as many guest raps on R&B tracks have proven to be. The rollout for the pop icon’s first album in seven years has been executed ***flawlessly. If you see the show you’ll see that’s what we did, which is fun.I approached Janet Jackson’s Unbreakable with equal parts excitement and trepidation. As we all know, she dances two hours straight pretty much, so she needs to be able to change quickly and needs things that are comfortable for her. We actually tried to do things that she can change into very easily. And when we pull, I think Janet’s smile and eyes is always something that we need to accentuate, so I draw to that. We drew a lot of inspiration from Rick Owens and Haider Ackermann for this tour. We always draw from fashion, from what’s in the moment and what’s coming next. What’s your main source of inspiration when designing tour costumes or pulling pieces for her? She makes your approach to it very easy, and she gives you all the tools you need to create for her. And she’s very on top of everything, so she knows what she wants. She’s kind, she’s very understanding beautiful. That’s all I can say about that, seriously. What is special about dressing Janet for tour vs. We did the Kids’ Choice Awards and the GLAAD Awards. When did you first begin working with Janet?Īugust 2005. #Snatched #SOTW #TeamJJ –: GOLDENEYE/SPLASHĪ post shared by Janet Jackson on at 9:11am PDT